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Product1 publisher2 min readPublished

Fountain 0's AI Odyssey breaks where one generated clip meets the next

The Verge sat through all 150 minutes of Odysseus: The Fall, a film that cannot keep a cyclops at one height. The errors it documents cluster at the handoffs between generated shots.

The Product Desk · Product desk

Photograph accompanying Fountain 0's AI Odyssey breaks where one generated clip meets the next
Photo: theverge.com

What happened

  • Odysseus: The Fall comes from AI firm Fountain 0 and was written and directed by cofounder Ash Koosha, who lent his likeness to the title character and created all of the music.
  • The film is billed as the first completely AI generated film produced at the level of a Hollywood blockbuster, a claim The Verge's reviewer says it is nothing close to meeting.
  • It rents for $9.99 and, as far as the reviewer could tell, can only be watched in a web browser.
  • The review catalogues waves moving against the wind, mouths that do not match the words spoken, and one boat in a racing fleet travelling sideways.
  • The Verge says current AI models can only generate scenes lasting a few seconds, so the film plays as a disjointed collection of moments stitched together with little rhyme or reason.

Compiled by The Product DeskSomething wrong?How this is made

Why it matters

  • constraint The few-second generation window sets the unit of authorship, so a feature needs somewhere near a thousand handoffs, and each one is a chance for a prop, a voice or a body to change without anyone noticing.
  • cost Matching state across those handoffs is human labour that has to be scheduled and paid for, on a production whose credits The Verge describes as very short.
  • decision Anyone pricing generative video into a deliverable can stop judging sample reels and start counting shot boundaries, because failure scales with the count.
  • contradiction Continuity is not the only problem: the same review faults the creature designs and says nothing in the film was improved by AI.

The constraint is runtime. The Verge says current AI models are only capable of generating scenes that last a few seconds [9], and the film runs 150 minutes [1]. At five seconds a clip that is 1,800 joins; at ten seconds, 900 [2]. Every join is a place where a prop, a coastline, a voice and a creature's height have to match the shot before. In The Fall they often do not: oars bend and twist as sailors row, and the review says the names of both Odysseus and Zeus are pronounced wrong [6][8].

A ten-second sample cannot show a buyer this failure, because the failure lives between shots. It shows up in what a viewer's attention does over hours. The Verge's reviewer watched the film with a 13-year-old, and the two of them turned it into a game of finding the weirdest mistake: the reviewer spotted a sword turning into a dagger, the kid found an alien carcass roasting over a spit [17][7]. The review also says the film explains very little, and that you do not learn about Penelope's suitors until it is almost over [10].

The review's complaints do not stop at continuity. The Verge faults the creatures themselves, describing monsters that look like shabby stop-motion from the 1930s next to the smooth, hyperreal humans, and says it cannot think of a single aspect of the film improved by AI, or any effect that would be impossible without it [12]. Characters pause for seconds at a time for no apparent reason and burst into laughter out of nowhere [11].

Koosha, quoted in the review, said he had felt passionately about Homer's epic tale ever since he first read it years ago [13]. The Verge notes the credits are very short [15]. Fountain 0's only previous work is an AI film called Dreams of Violets, which made it into Tribeca earlier this year [14].

For anyone costing generative video into a real deliverable next week, the test is two questions. How many shot boundaries are in the thing you have to ship, and does the viewer have to carry anything across them: a named character, a prop, a direction of travel, a height. A 20-second spot in one location with no returning object has few boundaries and nothing to track. A feature has close to a thousand [2], and matching state across them is somebody's paid job. Odysseus: The Fall rents for $9.99, and the review says the errors are the most entertaining part of it [4][19].

What to watch

  • Whether Fountain 0 discloses rental numbers or a distribution deal that goes beyond browser playback.
  • Whether the next feature billed as AI-generated ships with a named continuity or script supervisor in its credits.
  • Whether a festival that programmed Dreams of Violets takes a feature-length AI film next.
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